Arri Light Case Wheel Replacement

I appreciate the fact I can normally find whatever it is I'm looking for on the internet, or at least something close enough to accomplish what I'm looking to do. That being said, I got stuck the other day and couldn't find something.

I've got this small ARRI lighting kit that that's been a workhorse for years, but it's starting to show its age. Not so much the tungsten lighting units themselves because they're tanks and I don't care what my fancy-pants gaffer buddies say, but the freakin' wheels to the plastic case gave up the ghost a long time ago. They've both blown out and no one needs to hear that "ka-klunk, ka-klunk, ka-klunk" as I roll my light case down some corporate hallway before the shoot.

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Google sent me this YouTube tutorial and some different written posts about changing out the wheels, but not the exact thing I was looking for. So for the sake of trying to contribute more than I consume, please accept the following:

Another YouTube tip was a drummer replacing the blown-out wheels in his SKB Hard Case. He drilled out the rivets, so I did the thing and pretty much butchered the plastic around where those demon rivets were on my case. Some of those two-pronged turds had to be dug out with a flathead screwdriver and a pair of pliers even after using the drill. I used a utility knife to clean up some of the shredded plastic because no one needs that sharp nonsense.

Keep in mind these wheels probably weren't made to be replaced. The actual wheels themselves were held in place by a crimped pin that wasn't having it with me trying to drill them out. I ended up hack-sawing the end off each of those pins while also hoping for the best about not losing a finger and/or destroying much more plastic.

You'd be surprised how hard it is to find replacement rollerblade wheels here in Oklahoma City. After wasting the better part of a work day driving around and calling different sporting goods stores and bike/skate shops, I gave in and ordered the 64mm Inline Skate Wheels and Inline Skate Axle Screws off Amazon. I did find some machine screws, washers, and locking nuts at a local hardware store. They also carried those stupid rivets, but hard pass on that death trap waiting to happen.

Don't forget, I did pretty much butcher a decent amount of the surrounding plastic while drilling out those dark-horned rivets of death. One hole had to be abandoned entirely, but I just drilled another one right next to it because I do what I want and you're not the boss of me.

The inner diameter of the Amazon wheels was just a bit bigger than I'd hoped for – something like 1-2mm off – but it wasn't a problem once I got them installed. I'm sure I could've done a better job keeping it from looking all Erector Set, but that ARRI light case rolls like heaven again with its fancy new wheels.

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LSU with HSC.tv

Normally the first part of the year is dreadfully slow, but thankfully January is looking to be a busy month. This past week I spent a couple days in Baton Rouge, LA with HSC.tv shooting an interview for the 2020 College Football National Championship.

HSC had two crews shooting different content at the same time at the LSU football practice facility. The main crew was shooting multiple interviews in the LSU Football Trophy room while we were covering an interview with ESPN's Kirk Herbstreit and LSU's Heisman Trophy winning quarterback Joe Burrow. Pretty sure we all flew with a carry-on of HSC gear (camera bodies & batteries) plus something like 18 checked bags.

We shot the interview with two Arri Amiras, a Mini on a Movi setup, and the reverse angle was on a Panasonic EVA. Not sure of the lights we used, but they were HSC's and the local gaffer and key grip were great. Originally we were supposed to only have 30 minutes total with Joe Burrow and needed to shoot the interview, a walk and talk down a hallway, and footage of the two talking and playing catch on the indoor practice field. Our main DP, Brian (TwZ) Brousseau, had us set our color temps to the lighting on practice field and then gel our main HMI light for the interview to match the color. Pretty sure that was the first time I'd gone that route and it worked out great. We ended up getting a bit more time, but I'm crazy glad we planned and rehearsed ahead of time to find and work out potential problems ahead of time.

We did have an issue getting enough exposure in the interview without going above 800 ISO on the Amira and Canon 17-120mm lens pair. The lens for the wide shot was able to open up to T2.95, but the lens ramps up to a T3.9 and we were at the end of the zoom for the tight shot. We were maxed out on the light output to begin with considering how high it had to be in order to not be in the reverse shot. Then we lost more output considering the gels we used to match the color temperature in the practice facility. We were able to dial in the setup to get the exposure we needed then had to add a black wrap scoop at the bottom of the light so we'd not blow out the seats directly in front of our interview.

It's always crazy to me how many views these projects get. By the time this post goes up this video will already have had nearly 106k views. Absolutely grateful I got to be a very small part of it.